Chryso Ndasingwa

Chryso Ndasingwa, whose full name is Jean Chrysostome Ndasingwa, is a Rwandan gospel singer, songwriter, instrumentalist and worship leader. He is known for his Bible-centered music, expressive worship style and ability to lead large congregations in praise and worship. Based in Kigali, Rwanda, Ndasingwa has become one of the notable artists in the country’s newer generation of gospel musicians, building a growing audience through recordings, live worship events and ministry.

Ndasingwa’s music is deeply rooted in Christian scripture and personal faith. He sings primarily in Kinyarwanda while also incorporating other languages into his worship music, and his repertoire includes songs of praise, thanksgiving, prayer and devotion. His work has increasingly taken him from local church settings to some of Rwanda’s largest Christian gatherings, including major performances at BK Arena.

Quick Facts

Early Life and Christian Calling

Chryso Ndasingwa was raised in a deeply religious family as the fourth of ten children. His early exposure to Christian worship played an important role in shaping his eventual career. His journey in music began while he was still young, including time singing in a children’s choir in Kibeho.

According to accounts of his life and ministry, Ndasingwa experienced a significant spiritual encounter while attending boarding school in 2012. His faith subsequently became increasingly central to his identity and eventually influenced his decision to pursue worship ministry and gospel music.

Music was not simply an interest for Ndasingwa. He developed practical skills as an instrumentalist and became proficient with instruments including the piano, guitar and saxophone. He also became involved in teaching music, helping other aspiring musicians develop their abilities.

Alongside his musical development, Ndasingwa pursued academic and theological studies. He holds a degree in Social Studies with Education and has continued studying theology and biblical leadership. His theological education has become an important part of his approach to worship, particularly his emphasis on biblical foundations and the responsibility that comes with leading people in Christian worship.

Rise as a Gospel Artist

Although Ndasingwa had been singing for years, he began his professional recording career in the early 2020s. His early releases quickly established the direction of his music. One of his first widely recognized songs was “Mubwihisho,” a worship song based on Psalm 91. Other early songs included “Wakinguye ijuru,” “Ndakwihaye,” “Wahozeho” and “Biratunganye.”

His early music distinguished him through a combination of strong vocals, instrumental ability and scripture-based songwriting. Rather than treating gospel music simply as entertainment, Ndasingwa has consistently described it as a form of ministry.

His early releases were followed by the Wahozeho and Wakinguye ijuru EPs in 2022. These projects helped establish his catalogue and introduced his worship music to listeners beyond his immediate church community.

Music and Worship Ministry

A defining feature of Chryso Ndasingwa’s career is the relationship between his recorded music and his work as a worship leader. His performances frequently move beyond conventional song presentations into extended periods of praise and worship, giving audiences an opportunity to participate rather than simply listen.

His songwriting is strongly influenced by scripture, with themes including God’s faithfulness, trust, surrender, gratitude, divine protection and hope. Songs such as “Wahozeho,” “Mubwihisho,” “Ndakwihaye,” “Ntayindimana,” “Ni nziza” and “Wahinduye ibihe” reflect this emphasis.

Ndasingwa is also comfortable performing in different musical settings. His live worship recordings have allowed him to develop arrangements that emphasize congregational participation, while his studio releases provide a more focused presentation of his songwriting.

He is a member of New Life Bible Church in Kigali, where his worship ministry is closely connected to his Christian faith and church life. His involvement in theological education has also reinforced his interest in ensuring that his public ministry remains grounded in biblical teaching.

BK Arena and Major Live Performances

One of the biggest milestones in Ndasingwa’s career came on May 5, 2024, when he held a major concert at BK Arena in Kigali. The event attracted more than 8,000 people and became an important landmark in his development as a gospel artist and worship leader.

The scale of the event demonstrated the growing reach of his music. Rather than being built solely around individual hit songs, the concert emphasized worship and collective participation, reflecting the ministry-oriented character of his work.

He later continued his relationship with large-scale live worship through another major BK Arena appearance during Easter celebrations in April 2025. These performances helped establish him as an artist capable of moving between intimate church worship and large arena settings.

Discography and Notable Songs

Ndasingwa’s recorded catalogue expanded significantly after his early releases. His notable songs include “Mubwihisho,” “Wakinguye ijuru,” “Wahozeho,” “Ndakwihaye,” “Ntayindimana,” “Biratunganye,” “Ni nziza,” “Inkomoko” and “Wahinduye ibihe.”

In 2024 and 2025, he continued releasing singles and worship projects, including “Inkomoko,” “Intego,” “Ni nziza,” “Wahinduye ibihe,” “IYO MANA” and the Great Things EP. He also released several worship medleys, including Kinyarwanda and Swahili versions of some of his songs.

His catalogue expanded further in 2026 with the release of Inkuru Nziza EP. Released on March 20, 2026, the seven-track project includes “Inkuru nziza,” “Nzategereza,” “Rwanda Shima Imana,” “Kumbuka,” “Umukunzi,” “Emmanuel yatuvukiye” and “Inzira.”

The project demonstrates Ndasingwa’s continued interest in extended worship formats and Christian storytelling. “Rwanda Shima Imana,” in particular, presents a message of gratitude and faith focused on Rwanda, while other songs explore personal devotion and waiting on God.

Musical Style and Influence

Chryso Ndasingwa’s musical style is characterized by contemporary African gospel worship, scripture-based lyrics and a strong emphasis on live ministry. His use of Kinyarwanda gives his music a distinctly Rwandan identity, while his occasional use of English and Swahili allows him to connect with a broader East African Christian audience.

He is also notable for being a multi-instrumentalist. His ability to play piano, guitar and saxophone has contributed to the musical character of his performances and allowed him to participate in different aspects of worship production.

Ndasingwa’s approach is closely tied to his understanding of gospel music as ministry. His songs generally focus less on entertainment and more on creating an atmosphere of worship, communicating biblical messages and encouraging listeners in their faith.

Continuing Career

Chryso Ndasingwa continues to develop his career as both a recording artist and worship leader. His growing catalogue, major live performances and involvement in theological education have allowed him to build a ministry that extends beyond music alone.

His releases through 2026, including Inkuru Nziza EP and “IBITAMBO (Aho abantu bananiriwe),” show an artist continuing to expand his musical repertoire while retaining the worship-centered identity that defined his early career. From children’s choir beginnings to leading worship before thousands of people, Ndasingwa’s journey reflects the growth of a new generation of Rwandan gospel artists bringing scripture, local musical identity and contemporary worship together.